Headphone Amplifiers Dallas GA

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H.H. Gregg
(678) 715-4343
6967 Concourse Parkway
Douglasville, GA
H.H. Gregg
(770) 919-1991
2555 Cobb Place Lane
Kennesaw, GA
Best Buy
850 Cobb Place Blvd Nw
Kennesaw, GA
Bose Factory Store
(706) 216-4234
North Georgia Premium Outlets,800 Highway 400 South
Dawsonville, GA
Best Buy
1875 Pleasant Hill Rd
Duluth, GA
Best Buy
6875 Douglas Blvd
Douglasville, GA
Brandsmart USA
(770) 423-1600
3305 Busbee Drive Nw
Kennesaw, GA
Prelude Sound, a Radio Shack dealer
(770) 684-1270
308 Nathan Dean Bypass
Rockmart, GA
Proffessional Sound & Video for your event

Audio Automation & Theater
(404) 842-1900
333 Buckhead Avenue #200
Atlanta, GA
Home Audio, Design & Installation

Brandsmart USA
(770) 452-9500
5000 Motors Industrial Way
Atlanta, GA




the Max and Little headphone amplifiers

as reviewed by Carlo Flores

max.jpg (20532 bytes)


The Max

Many audiophiles view headphone listening as playing with toys or trying to get the most from portable fidelity. Others believe that a well-designed transducer powered by quality amplification can yield good results regardless of the type of system. Headphones offer a choice to those who are limited in space. If you can live with a soundstage that exists within two inches of your skull, you can, with proper care, assemble a system that rivals similarly priced speakers. There are headphones and amps to power them in just about every price bracket. In the case of Headroom, a complete line of headphone products is available from one manufacturer, including the Blockhead, a fully balanced amp that can only be used with a specially terminated Grado RS-1 or Sennheiser. For those (like me) who like other headphones, the Max is Headroom's best offering, so I view it as their statement product, and the one I decided to review.

The Max has some nice features that allow for great flexibility. It can be used as a two-input active preamp, a one-box solution for those looking to incorporate a headphone amp with a speaker system. One of its inputs can be changed to a loop out, so the user can use the amp between a preamp/integrated's tape output and a recording device, with minimal influence on the sound. The Max's class AB circuitry is encased in a long rectangular chassis that is about half the width of most stereo components, with the simple, nondescript faceplate allowing for easy integration into a living environment. The Max's front panel is covered with user controls: toggle switches control gain (a welcome addition for better control of the stepped attenuator), Headroom's patented Crossfeed Circuit, and their filter settings. Two headphone jacks that lock in theory, but not in reality, allow for shared listening, and a toggle switch allows the user to float ground. Missing from the front panel is source selection; instead, it's on the rear plate, which will make the Max unpractical for many people. On the back, the IEC receptacle, fuse, and power switch are a one-piece unit, which means that that the large IECs on some power cords may get in the way when trying to turn the unit on or off. The Max is surprisingly lightweight—I had to place books on its top lid to use aftermarket power cords.

After the obligatory interconnect and power cord changes, I settled on the Tara Labs Air 3 for its soundstage and the Tek-Line PC12W for its top end linearity. I set the Max's crossfeed circuit and filters to their off positions (more on what they do later), and hardly fiddled with the amp again. I had the opportunity to borrow Grado HP-1s, Audio Technica w2002s, and Sennheiser HD600s during my time with the Max, along with the Grado SR225s and Sennheiser HD580s (with Cardas upgrade...

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